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Monsters

Started by smilodon, April 20, 2011, 12:43:10 PM

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smilodon

I caught Monsters on DVD over the weekend. It was one of those 'Thought I was going to watch one sort of film but got something completely different' type of evenings. Rather than write a review myself I found one by Roger Ebert of the Chicago Sun Times who basically sums up everything I thought about this movie.

It's not Coverfield meets District Nine meets Jurassic Park, which is what I was expecting. I'm not sure what it is, other than very very good,


Link

QuoteMonsters
BY ROGER EBERT / November 17, 2010
cast & credits
Andrew Scoot McNairy
Samantha Whitney Able
Josh Kevon Kane

Magnolia Pictures presents a film written and directed by Gareth Edwards. In English and Spanish, with English subtitles. Running time: 93 minutes. Rated R (for language).

A movie named "Monsters" must contain monsters. But in its breathtaking final scene, we realize they should not be called Monsters but perhaps simply Beings. They're aliens from Europa, a moon of Jupiter, which has a thin oxygen atmosphere and possibly an ocean under its surface. It's one of the prime candidates for life elsewhere in the solar system, and if it's hard to understand how that life might be 50-foot-high spiders that float and have a pulsing inner glow, well, that's an alien for you. The *******s are always up to something.

I've read some complaints from fanboys that the monsters in "Monsters" aren't monstrous enough. You don't hear any complaints about Godzilla, Mothra or the clicking grasshoppers in "District 9," but let a filmmaker dare to imagine a truly alien lifeform, and it's whine, whine, whine. So let me say that "Monsters" is a rather special achievement. Think of it as a movie that M. Night Shyamalan (and we) would be happy he made. It's based on characters, relationships, fear and mostly unseen menace, and although the movie's special effects are important, it's not about special effects.

I recently came across a collection of covers from a 1950s comic book named Tales to Astonish! Each issue featured a different low-rent monster ("Mummex," "Droom," "Titano," "Vandoom," "Roombu"). The most intriguing was "X," described as THE THING THAT LIVED!! The monsters invariably towered high above puny humans who were running for their lives in the foreground. The Beings in "Monsters" tower above humans, but that's not because they're giant versions of B-movie cliches. It's because they are different in structure and nature from the lifeforms on Earth.

The story, set some years in the future, explains that a probe was sent to Europa to search for life. On its return, it crash-landed in Mexico. Whatever was on board found the conditions here suitable. The Beings have occupied a wide swath of northern Mexico, known as the Infected Zone, and travel through it is forbidden. The two nations are connected only by boats and airplanes. A massive wall has been constructed to keep the creatures out of the United States, and Air Force planes fire missiles at them.

Whoops. I just hopped over one allegory and tripped on another one. There's an obvious parallel with our current border situation and the controversy over undocumented aliens. And another one with our recent wars, where expensive and advanced aircraft are used to fire missiles at enemies who are mostly invisible. A process of demonization is also going on: Are these beings actually a threat?

Oh, sure, the journey in the film takes us through wastelands of devastation (my guess is they filmed in the aftermath of hurricanes). Boats are in trees, planes are in rivers and so on. A brief comment, almost a throwaway line, suggests the creatures grow agitated when attacked. Many a creature does. There isn't a single shot on camera of a Being actually assaulting anything without provocation.

The story involves Andrew Kaulder (Scoot McNairy) and Samantha Wynden (Whitney Able). He's a free-lance photographer. She's the daughter of Kaulder's boss. Her father calls Kaulder and orders him to be sure Sam gets out of Mexico unharmed. He reluctantly agrees. They begin a journey north that, after many setbacks, leaves them trying to navigate a river through the Infected Zone on a boat crewed by hired gunmen.

We see evidence of the aliens. We hear their mournful sounds. We see them unclearly in night vision images on television news. Apparently they don't come out in daytime. The river journey, like the one in "Apocalypse Now," often goes smoothly enough, but there's always the invisible threat in the jungle. Andrew and Samantha, like many a movie couple before them, start out antagonistic, and gradually lower their guards as they share the journey. But theirs is not a conventional romance. It's more about learning to see another person.

"Monsters" was written and directed by Gareth Edwards. He also created all the special effects. He shot on location. All of the characters, except the leads, are played by locals. They're untrained, which means they're all the more convincing. Edwards had a minuscule budget, but let's say he knew how to spend it.

"Monsters" holds our attention ever more deeply as we realize it's not a casual exploitation picture. We expect that sooner or later, we'll get a good look at the aliens close up. When we do, let's say it's not a disappointment. They're ugly and uncannily beautiful. We've never seen anything like them. And their motives are made clear in a sequence combining uncommon suspense and uncanny poetry.

Edwards is brilliant at evoking the awe and beauty he has been building toward, and at last we fully realize the film's ambitious arc. I think the lesson may be: Life has its reasons. Motives are pretty universal. Monsters are in the eye of the beholder.
smilodon
Whatever's gone wrong it's not my fault.

Tutonic

I might have to check this out now. I'd previously writen this off as being a cheesy B-movie but it sounds rather good..
Hero of the Battle Of Chalkeia
"Don\'t worry, none of this blood is mine"



DrunkenZombiee

Very much a war of the worlds substitute for me with a small twist in the plot line about the area being central America and south of the USA.

TBH I didn't really enjoy it as most of the focus was on the relationship between the photographer and the VIP's daughter rather than the "monsters". There wasn't enough of depth to the plot or back story for me to make it a good SCIFI, it was more like a Drama with special effects thrown in once in a while to make it more dramatic.

Worth a look but not a masterpiece. This films to me was much like "the happening" however it didn't have the unfolding plot and as much suspense.
DZ

smilodon

I think that's what appealed to me. I thought I was about to watch a SciFi horror but got an interesting human story against a backdrop of a SciFi setting. I applaud anyone who tries to break the indentikit Hollywood mould. Except for the Happening, which was dreadful however you look at it :wink: It worked for me but I can quite understand if it doesn't for others.
smilodon
Whatever's gone wrong it's not my fault.

RizZy

I keep meaning to check this film out & never seem to get round to it, if for no other reason that I went to school with Gareth Edwards who directed it, & knowing that he knocked it together on no better kit than most of us are sat in front off makes me think that good or bad I gotta give the guy his dues & have a watch of his film.

Also, he's been signed up to direct the new Godzilla.

& also, his mum taught me maths at school.

smilodon

It's on TV tonight on film 4 at 9pm. As a freebie it's worth hitting the record button. You'll either get ten minutes in, find nothing of interest and delete it or watch a really great film that will surprise and entertain.
smilodon
Whatever's gone wrong it's not my fault.